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Catalysis III
in fear of holding onto beliefs that many times reveal themselves to be lies. i hesitate to make such bold statements. however, recently i have started to feel that these beliefs must be stated, acted upon, and through those actions, those tests, truth may be revealed in regards to those beliefs. here are eight beliefs i have prior to this study in the recreation of performance and the documentation
PLEASE LOOK UNDER COMMENTS FOR DESCRIPTIONS OF EXPERIENCES AND FURTHER DETAILS
SPECIAL THANKS AND CREDIT TO:
JULIA CLAIRE WALLACE FOR THE VISUAL DOCUMENTATION
AND
PROFESSOR CAROLINE GOESER AND THE AMERICAN WOMEN ARTISTS CLASS FOR THEIR INTEREST IN THIS PROJECT AND ALL THE INFORMATION THAT HAS BEEN SHARED THROUGH GREAT LENGTHS IN RESEARCH AND EXPERIENCES
sunglasses purchased at Macy's downtown Houston, April 21, 2008
Catalysis III
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- n.douthey
- nd5000@hotmail.com
1 comment:
Anastas, Rhea & Brenson, Michael (ed.) Witness to Her Art. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, 2006.
Documenting work by six artists that created unknown or little known projects that are politically and socially engaged. Helped me to see relationships between these artists and myself.
Berger, Maurice (ed.). Adrian Piper a Retrospective. University of Maryland Baltimore County, Baltimore, Maryland, 1999.
A general survey of Adrian Piper's work and life. This source has great visual documentation and several time lines dividing up Piper's private life and career.
Berger, Maurice. Minimal Politics: Performativity and Minimalism in recent American Art. Baltimore Maryland Fine Arts Gallery, University of Maryland, New York, New York, 1997.
Focuses on a few artists which provides clearer relationships compared to a more general survey. Has timelines includes the politics of the time, racial changes and events, and gender and sexuality changes and events.
Frueh, Joanna, Langer, Cassandra L., & Raven, Arlene. New Feminist Criticism: Art, Identity, Action. Icon Editions, New York, New York, 1994.
Focused on the issues of women in the art field. What these artists are making and the importance of their work in relationship to feminist issues.
Piper, Adrian. (1996) Out of Order, Out of Sight, Volume I: Selected Writings in Meta –Art 1968-1992. The MIT Press, Cambridge, Massachusetts, 1996.
Piper, Adrian. (1996) Out of Order, Out of Sight, Volume II : Selected Writings in Art Criticism 1967-1992. The MIT Press, Cambridge, Massachusetts, 1996.
The greatest resource for details and writings by Adrian Piper. (Besides her website, which is very in depth in regards to her academic writing.) The images and extensive documentation of earlier work provides a deeper understanding of her life and growth as an artist.
Smith, Sidonie & Watson, Julia (ed.). Interfaces: Women, Autobiography, Image, Performance. University of Michigan Press, Ann Arbor, Michigan. 2005
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